Lessons · Showcase

In the Hall of the Mountain King

Grieg — one theme, rising registers, gathering speed

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

179

180

181

182

183

184

185

186

187

188

189

190

191

192

193

194

195

196

197

198

199

200

201

202

203

204

205

206

207

208

209

210

211

212

213

214

215

216

217

218

219

220

221

222

223

224

225

226

227

228

229

230

231

232

233

234

235

236

237

% Grieg's march is ONE eight-note idea and three ways of turning
% the screw: higher, louder, faster. The theme creeps up the minor
% scale and swings back on the flattened fifth:
 
bpm 75
meter 4
unit 1/4
key b min
 
March ::= 1 _2 2 _2 3 _2 4 _2 5 _2 3 _2 5 _4 5b _2 3 _2 5b _4 4 _2 2 _2 4 _4
March
 
 
% Screw one — REGISTER: the theme answers itself an octave up,
% then two. '@12' is the whole orchestration:
 
March {March}@12 {March}@24
 
 
% Screw two — SPEED: tempo is a command, so the accelerando is
% three statements under three bpm lines:
 
March
bpm 105
March
bpm 138
March
 
 
% Screw three — PILE-UP: the theme against itself at the octave
% over a stamping open fifth. This is the final page in one block:
 
{March March, {March}@12 {March}@12, {..1 _4, ..5 _4}*16}
 
 
% THE WHOLE HALL — all 88 measures from the verified grammar,
% creep to blowout.
 
bpm 138
meter 4
unit 1/4
key b4 min
mode diatonic
 
% The cast — every motif and chord the lead line uses:
 
M120 ::= d6 -
M60 ::= '2 - M120 '4 -
M56 ::= M60 '5 -
M130 ::= - ..2 _2 - _2
M35 ::= f2 - c#2 M130@-8
M11 ::= M35 M35@-1
M78 ::= f#5 - g#5? d5 -
M23 ::= M78#2@-7 M78#2@-4 M78
M7 ::= M23@12 f#6
M119 ::= - b2 -
M109 ::= M56@~-29 M11@1 M35@-1 M7@-48 M119
M49 ::= a2 - f#2 - d2 - f#2 - a2 _7 -
M39 ::= a3 - f#3 - d3 - f#3 - {a3, a2} _7 -
M61 ::= .2 - ..7# - .2 _2 - _2
M129 ::= c#3 -
S4 ::= M129 bb2 M130 M78#2@-36
M32 ::= M78#2@-24 bb3 - b3 - S4[0:6]@12
M107 ::= M23@-36 ...5 _2 - _2 M11 M7@-48 M119
M85 ::= {.6, .1} - .7b
M31 ::= M78#2@-19 M85 -
M132 ::= f#4 -
M55 ::= {..1, ...1} _2
M108 ::= M55@~13 - _2
M125 ::= e4 - c4 -
S8 ::= .7 - .5 - M108 M125 M108@-1 M78#2@-19
M71 ::= - 1 -
M133 ::= b4 -
M134 ::= a4 _7 -
M92 ::= - 1 _4
M40 ::= M133 5 M92 M78
M51 ::= 7 - 5 M92 7b - 5b
M135 ::= a5 _7 -
M42 ::= 5 - 4b - 1Maj _4
S9 ::= M132 2 M92 M42 6 - 4b - 1Aug _4
M48 ::= M78#2 {'4b, '1} - '4
M105 ::= - '4b -
M38 ::= '5 M105 '1Maj _2 - _2
S10 ::= M38 '6 M105
M118 ::= 'f#Aug _2 - _2
M136 ::= bb5 -
M86 ::= {.7, .1} _2 - _2
M65 ::= {'3, '1} - = {'5, '1} - = {'2, '1} -
M58 ::= {'1, 1} _4
M91 ::= {d5, b4} _4
M115 ::= '1 _7 -
M53 ::= M115 M115
M22 ::= M135 {'7, '3, 7} _7 -
M8 ::= {c#7, f#6, c#6} _4
M41 ::= f#6 _7 - {f#6, c#6} _4 M8
M44 ::= {d7, f#6, d6} _2
M54 ::= ''3 - {''6, ''1, '6} _4 {''5, ''1, '5} _2 ''3 -
M15 ::= {g6, f#6} - {bb6, f#6} - {b6, f#6} - {c#7, f#6, c#6} _2 'f#Maj$5-1-3 - M8
M21 ::= ''dAug - {d7, f#6, d6} _4 {c#7, f#6, c#6} _7 -
M25 ::= '1 - M65#3 M65 {'4, '1} -
M29 ::= M65 M65#2 {''1, '1} -
M83 ::= b5 _44/7 - _12/7
M121 ::= bb6 _3/14 -/21
M18 ::= ''4 _3/14 -/42 ''5b _3/14 M121
M70 ::= - _23/7 M18 {''6, '7} _9/7 - _75/7
M43 ::= - _23/7 M18 {''6, '7} _2 - _10
M45 ::= M136 '3 - M136 '7b - M83
M95 ::= - b6 -
M46 ::= {''6, '7} _39/14
M103 ::= M18 M46 -/2 M18
M76 ::= M46 - _5/7
M116 ::= ''4 _3/14 ''5b _5/21
M50 ::= ''4 _3/14 M116@1 -/42
M117 ::= -*32
 
key b4 harm
key f#4 harm
key b4 harm
key f#4 harm
key b4 min
bpm 154
key b4 harm
key f#4 maj
key b4 min
key eb4 harm
bpm 138
key b4 min
% mm.1 — free material.
F1a ::= | {.5, ..5} _14 - _2 |
F1a
 
% mm.1 — free material.
F2a1 ::= M109 M49 M109@12 M39 M78#2@-36 ...7# - ..1 - M61@~-7 M35@9 S4 ...7# M119 S4[0:6]
F2a2 ::= | M35@9 ..2 _7 - |
  M32
  | M35@21 M61 |
F2a1 F2a2
 
key b4 harm
% mm.1 — free material.
F16a ::= M32
  | M35@21 {.2, ..2} _7 - |
F16a
 
% mm.1 — free material.
F18a1 ::= M107 M49
F18a1 M107@12
 
 
% ——— Part 2, from m.1 ———
 
key f#4 harm
% mm.1 — free material.
F25a1 ::= M39 M31 M132 .6 - M108@1 S8 M85 M71 .6 M71 M133
F25a2 ::= 3 M71 {.6, .3} M71 M134 M40 1 _4 M51 M92 M40 '1 M71@17
F25a1 F25a2
 
% mm.1 — free material.
F33a1 ::= '3 - '1 M92@~2 M135
F33a2 ::= S9 M42 S9 5 _7 - M48 - S10 M118 S10[0:6]
F33a3 ::= | M48 - M38 |
F33a1 F33a2 F33a3
 
key b4 harm
% mm.1 — free material.
F41a ::= M120 M136 M118 '2 _7 -
F41a
 
key f#4 harm
% mm.1 — free material.
F42a1 ::= M31 S8[0:10]@1 M86 M125 M86 M31 M132 .6 M65#2~@-19 - M133 3 M71 {.7b, .3} M71 M134
F42a2 ::= | M40 M58 |
  | M51 - {7b, 1} _4 |
  | M23 M91 |
F42a1 F42a2
 
key b4 min
% mm.1 — free material.
F49a ::= | M78 M91 1 _7 - |
F49a
 
 
% ——— Part 3, from m.1 ———
 
bpm 154
% mm.1 — free material.
F50a1 ::= M53 M53 M53 M22
F50a1*2 M41
 
key b4 harm
% mm.1 — free material.
F59a ::= | M44 M54@~-3 M8 |
  | '5 - M15 |
  | M44 M21 |
F59a
 
key f#4 maj
% mm.1 — free material.
F62a ::= M41
  | {''6, ''1, '6} _2 M54 M8 |
  | ''1 - M15 |
F62a
 
% mm.1 — free material.
F65a ::= | M44 M21 |
F65a
 
 
% ——— Part 4, from m.1 ———
 
key b4 min
% mm.1 — free material.
F66a1 ::= M53 M53 M115 '1 _2 '1 _5 - M22
F66a2 ::= | M25 {'5, '1} _2 M65 '1Dia _2 - _2 |
  | {'5b, '1} _2 M65#3 {'5b, '2, '1} _2 - _2 {'4, '1} _2 {'2b, '1} - {'4, '2b, '1} _2 - _2 |
  | M25 M65#2 M29 |
F66a1 F66a2
 
% mm.1 — free material.
F73a ::= | M65#2 M29 M83 |
F73a
 
key eb4 harm
% mm.1 — free material.
F74a1 ::= M70 M43
  | M7@-12 - '6 - |
  M45
F74a2 ::= M70 M43
  | M7 M95 |
F74a1 F74a2
 
% mm.1 — free material.
F81a1 ::= M45@12
  | M70 |*2
  | - _23/7 M103 M46 -/2 M103 |
F81a2 ::= M76 M18 M76 M116 M121 M76 M50 {''6, '7} _59/21 - _4/7 M117 - _55/14 M50 {''6, '7} _7/2
F81a1 F81a2

% Grieg's march is ONE eight-note idea and three ways of turning
% the screw: higher, louder, faster. The theme creeps up the minor
% scale and swings back on the flattened fifth:

bpm 75
meter 4
unit 1/4
key b min

March ::= 1 _2 2 _2 3 _2 4 _2 5 _2 3 _2 5 _4 5b _2 3 _2 5b _4 4 _2 2 _2 4 _4
March

% Screw one — REGISTER: the theme answers itself an octave up,
% then two. '@12' is the whole orchestration:

March {March}@12 {March}@24

% Screw two — SPEED: tempo is a command, so the accelerando is
% three statements under three bpm lines:

March
bpm 105
March
bpm 138
March

% Screw three — PILE-UP: the theme against itself at the octave
% over a stamping open fifth. This is the final page in one block:

{March March, {March}@12 {March}@12, {..1 _4, ..5 _4}*16}

% THE WHOLE HALL — all 88 measures from the verified grammar,
% creep to blowout.

bpm 138
meter 4
unit 1/4
key b4 min
mode diatonic

% The cast — every motif and chord the lead line uses:

M120 ::= d6 -
M60 ::= '2 - M120 '4 -
M56 ::= M60 '5 -
M130 ::= - ..2 _2 - _2
M35 ::= f2 - c#2 M130@-8
M11 ::= M35 M35@-1
M78 ::= f#5 - g#5? d5 -
M23 ::= M78#2@-7 M78#2@-4 M78
M7 ::= M23@12 f#6
M119 ::= - b2 -
M109 ::= M56@~-29 M11@1 M35@-1 M7@-48 M119
M49 ::= a2 - f#2 - d2 - f#2 - a2 _7 -
M39 ::= a3 - f#3 - d3 - f#3 - {a3, a2} _7 -
M61 ::= .2 - ..7# - .2 _2 - _2
M129 ::= c#3 -
S4 ::= M129 bb2 M130 M78#2@-36
M32 ::= M78#2@-24 bb3 - b3 - S4[0:6]@12
M107 ::= M23@-36 ...5 _2 - _2 M11 M7@-48 M119
M85 ::= {.6, .1} - .7b
M31 ::= M78#2@-19 M85 -
M132 ::= f#4 -
M55 ::= {..1, ...1} _2
M108 ::= M55@~13 - _2
M125 ::= e4 - c4 -
S8 ::= .7 - .5 - M108 M125 M108@-1 M78#2@-19
M71 ::= - 1 -
M133 ::= b4 -
M134 ::= a4 _7 -
M92 ::= - 1 _4
M40 ::= M133 5 M92 M78
M51 ::= 7 - 5 M92 7b - 5b
M135 ::= a5 _7 -
M42 ::= 5 - 4b - 1Maj _4
S9 ::= M132 2 M92 M42 6 - 4b - 1Aug _4
M48 ::= M78#2 {'4b, '1} - '4
M105 ::= - '4b -
M38 ::= '5 M105 '1Maj _2 - _2
S10 ::= M38 '6 M105
M118 ::= 'f#Aug _2 - _2
M136 ::= bb5 -
M86 ::= {.7, .1} _2 - _2
M65 ::= {'3, '1} - = {'5, '1} - = {'2, '1} -
M58 ::= {'1, 1} _4
M91 ::= {d5, b4} _4
M115 ::= '1 _7 -
M53 ::= M115 M115
M22 ::= M135 {'7, '3, 7} _7 -
M8 ::= {c#7, f#6, c#6} _4
M41 ::= f#6 _7 - {f#6, c#6} _4 M8
M44 ::= {d7, f#6, d6} _2
M54 ::= ''3 - {''6, ''1, '6} _4 {''5, ''1, '5} _2 ''3 -
M15 ::= {g6, f#6} - {bb6, f#6} - {b6, f#6} - {c#7, f#6, c#6} _2 'f#Maj$5-1-3 - M8
M21 ::= ''dAug - {d7, f#6, d6} _4 {c#7, f#6, c#6} _7 -
M25 ::= '1 - M65#3 M65 {'4, '1} -
M29 ::= M65 M65#2 {''1, '1} -
M83 ::= b5 _44/7 - _12/7
M121 ::= bb6 _3/14 -/21
M18 ::= ''4 _3/14 -/42 ''5b _3/14 M121
M70 ::= - _23/7 M18 {''6, '7} _9/7 - _75/7
M43 ::= - _23/7 M18 {''6, '7} _2 - _10
M45 ::= M136 '3 - M136 '7b - M83
M95 ::= - b6 -
M46 ::= {''6, '7} _39/14
M103 ::= M18 M46 -/2 M18
M76 ::= M46 - _5/7
M116 ::= ''4 _3/14 ''5b _5/21
M50 ::= ''4 _3/14 M116@1 -/42
M117 ::= -*32

key b4 harm
key f#4 harm
key b4 harm
key f#4 harm
key b4 min
bpm 154
key b4 harm
key f#4 maj
key b4 min
key eb4 harm
bpm 138
key b4 min
% mm.1 — free material.
F1a ::= | {.5, ..5} _14 - _2 |
F1a

% mm.1 — free material.
F2a1 ::= M109 M49 M109@12 M39 M78#2@-36 ...7# - ..1 - M61@~-7 M35@9 S4 ...7# M119 S4[0:6]
F2a2 ::= | M35@9 ..2 _7 - |
  M32
  | M35@21 M61 |
F2a1 F2a2

key b4 harm
% mm.1 — free material.
F16a ::= M32
  | M35@21 {.2, ..2} _7 - |
F16a

% mm.1 — free material.
F18a1 ::= M107 M49
F18a1 M107@12

% ——— Part 2, from m.1 ———

key f#4 harm
% mm.1 — free material.
F25a1 ::= M39 M31 M132 .6 - M108@1 S8 M85 M71 .6 M71 M133
F25a2 ::= 3 M71 {.6, .3} M71 M134 M40 1 _4 M51 M92 M40 '1 M71@17
F25a1 F25a2

% mm.1 — free material.
F33a1 ::= '3 - '1 M92@~2 M135
F33a2 ::= S9 M42 S9 5 _7 - M48 - S10 M118 S10[0:6]
F33a3 ::= | M48 - M38 |
F33a1 F33a2 F33a3

key b4 harm
% mm.1 — free material.
F41a ::= M120 M136 M118 '2 _7 -
F41a

key f#4 harm
% mm.1 — free material.
F42a1 ::= M31 S8[0:10]@1 M86 M125 M86 M31 M132 .6 M65#2~@-19 - M133 3 M71 {.7b, .3} M71 M134
F42a2 ::= | M40 M58 |
  | M51 - {7b, 1} _4 |
  | M23 M91 |
F42a1 F42a2

key b4 min
% mm.1 — free material.
F49a ::= | M78 M91 1 _7 - |
F49a

% ——— Part 3, from m.1 ———

bpm 154
% mm.1 — free material.
F50a1 ::= M53 M53 M53 M22
F50a1*2 M41

key b4 harm
% mm.1 — free material.
F59a ::= | M44 M54@~-3 M8 |
  | '5 - M15 |
  | M44 M21 |
F59a

key f#4 maj
% mm.1 — free material.
F62a ::= M41
  | {''6, ''1, '6} _2 M54 M8 |
  | ''1 - M15 |
F62a

% mm.1 — free material.
F65a ::= | M44 M21 |
F65a

% ——— Part 4, from m.1 ———

key b4 min
% mm.1 — free material.
F66a1 ::= M53 M53 M115 '1 _2 '1 _5 - M22
F66a2 ::= | M25 {'5, '1} _2 M65 '1Dia _2 - _2 |
  | {'5b, '1} _2 M65#3 {'5b, '2, '1} _2 - _2 {'4, '1} _2 {'2b, '1} - {'4, '2b, '1} _2 - _2 |
  | M25 M65#2 M29 |
F66a1 F66a2

% mm.1 — free material.
F73a ::= | M65#2 M29 M83 |
F73a

key eb4 harm
% mm.1 — free material.
F74a1 ::= M70 M43
  | M7@-12 - '6 - |
  M45
F74a2 ::= M70 M43
  | M7 M95 |
F74a1 F74a2

% mm.1 — free material.
F81a1 ::= M45@12
  | M70 |*2
  | - _23/7 M103 M46 -/2 M103 |
F81a2 ::= M76 M18 M76 M116 M121 M76 M50 {''6, '7} _59/21 - _4/7 M117 - _55/14 M50 {''6, '7} _7/2
F81a1 F81a2

running…edit it — it re-runs as you type

Opening…

In the Hall of the Mountain King · Pattern Engine